Old Masters
The oldest works in the Collection carry with them the solemnity and splendor of an age when painting was inseparable from faith and patronage.
ARCHIVE:Tiziano “Titian” Vecellio, The Penitent Magdalene (1560)
Domenico Zampieri, The Archangel Michael (1625)
Francisco de Zurbarán, The Last Supper, after Rubens (1660)
Early 20th Century & Impressionism
Perhaps the most immediately arresting part of the Collection, its Impressionist and Post-Impressionist holdings are exceptional in their range and quality.
ARCHIVE:André Derain, The Orange Sails (1910)
Émile Gallé, The Last Supper after Juan de Juanes (1895)
Juan Gris, Table with Guitar (1923)
John La Farge, Adam and Eve (1880)
John La Farge, Forest of Fontainebleau (1890)
Amedeo Modigliani, Reclining Nude, Fall (1917)*
Amedeo Modigliani, Reclining Nude, Spring (1917)*
Amedeo Modigliani, Reclining Nude, Winter (1919)*
Piet Mondrian, The Blue Tree (1905)
Claude Monet, Bridge at Dusk (1893)
Gerardo Murillo, Desierto de Sonora (1935)
Pablo Picasso, Femme Assise: Portrait of Dora Maar (1938)
Pablo Picasso, Personnages (1931)
Pablo Picasso, The Three Absinthe Drinkers (1903)
Pablo Picasso, The Two Absinthe Drinkers (1905)*
Camille Pissarro, Evening at The Palais Royal (1880)*
Camille Pissarro, The Road to Versailles: Winter (1901)
Paul Signac, The Rainbow Sunset (1910)*
Paul Signac, The Papal Palace at Avignon: Summer (1920)
Maurice Utrillo, A Rainy Day in Paris (1920)
Maurice Utrillo, The Champs Élysées (1930)*
Vincent Van Gogh, Outskirts of Paris: Two Peasants (1887)*
Vincent Van Gogh, Road on the Outskirts of Paris (1887)*
John William Waterhouse, Artemis and The Nymphs (1900)
*Artworks indicated are forthcoming and not currently on view; however, the Collection welcomes acquisition inquiries.Surrealism
Here, the Collection takes a more intrepid turn. The Surrealist works in this Collection are among its most stirring, and in some cases, most surprising.
ARCHIVE:Giorgio de Chirico, My Soldier (1950)
Giorgio de Chirico, Still Life with Bust of Venus (1969)
Giorgio de Chirico, The Prodigal Son (1922)*
Marc Chagall, The Lovers (1970)
Salvador Dalí, Giant Flying Coffee Spoon (1955)*
Salvador Dalí, My Love in My Dreams (1954)
Salvador Dalí, The Burning Bush (1936)
Salvador Dalí, The Butterfly Book (1960)*
Frida Kahlo, Magritte y Yo (1939)
Wifredo Lam, The Angel in The Jungle (1946)
Wifredo Lam, The Black Madonna (1952)
René Magritte, Infinite Realities (1941)*
René Magritte, My Works Under Fire (1952)*
René Magritte, The Comic Spirit (1956)*
Roberto Matta, Introspection of Psyche (1970)*
Pablo Picasso, El Torero (1939)
Diego Rivera, Girl with a Turquoise Earring
Remedios Varo, The Yellow Sorceress (1938)
*Artworks indicated are forthcoming and not currently on view; however, the Collection welcomes acquisition inquiries.Modernism &
Contemporary Art
Moving from the intimately figurative to the full sweep of mid-century American modernism, The Collection’s contemporary holdings demonstrate the same breadth and discernment that characterize its earlier periods:
ARCHIVE:Michael Goldberg, Untitled (1980)*
Oswaldo Guayasamín, Los Amantes II (1969)
Keith Haring, Money Mouse (1985)*
Conrad Marca-Relli, Untitled (1955)*
Pablo Picasso, Grapes of Wrath (1970)
Pablo Picasso, Homme aux Oiseaux (1956)*
Pablo Picasso, Table with Guitar (1953)
Norman Rockwell, The Student (1950)*
Norman Rockwell, The Teacher (1950)*
Andy Warhol, The Blue Pump (1980)*
Charles White, Joven (1946)*
*Artworks indicated are forthcoming and not currently on view; however, the Collection welcomes acquisition inquiries.Acquisition Inquiries
The American Rothschild Collection is available for acquisition, in whole or in selected groups, by qualified institutional and private buyers. All inquiries are handled with the utmost discretion and professionalism.
We welcome the opportunity to discuss individual works, arrange viewings, and provide detailed documentation for any painting of interest. Our team is committed to making each step of the acquisition process as transparent and unhurried as the Collection itself deserves.